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Mondays: 7pm
Wednesdays: 2pm
Thursdays: 8pm
Fridays: 8pm
Saturdays: 4pm, 8pm
Sundays: 3pm, 7 pm
407 West 43rd Street
Neighborhood: Midtown
Running Time: 90 minutes, with no intermission
Prices: $75, $95
“WICKEDLY WITTY...it is, if I may so, ONE HELL OF A GOOD SHOW! Lewis’ topsy-turvy exercises in inverted moral theology were made to be played with lip-smacking relish!”
- Terry Teachout, The Wall Street Journal
More Quotes ...
THE SCREWTAPE LETTERS is a smart, provocative and wickedly funny theatrical adaptation of the C.S. Lewis novel about spiritual warfare from a demon’s point of view.
The play follows the clever scheming a high level demon employs to entice a human toward damnation. In this inverted moral universe set in an office in hell, God is called the “Enemy” and the devil is referred to as “Our Father below.” The stakes are high as human souls are the demon's primary source of food.
THE SCREWTAPE LETTERS is still one Lewis’ most influential works, along with such other classics as The Chronicles of Narnia (including The Lion, The Witch and The Wardrobe), The Great Divorce and Mere Christianity. The book’s success as a piercing insight into humanity’s bent toward evil is due to Lewis’ lucid ability to make his readers squirm in self recognition. When first published in 1942 it brought immediate fame to this little-known Oxford don including the cover of Time Magazine.
Lewis dedicated the work to his close friend J. R. R. Tolkien who had expressed to Lewis that delving too deeply into the craft of evil would have consequences. Lewis admitted as much when he wrote: “Though I had never written anything more easily, I never wrote with less enjoyment . . . though it was easy to twist one’s mind into the diabolical attitude, it was not fun, or not for long. The work into which I had to project myself while I spoke through Screwtape was all dust, grit, thirst, and itch. Every trace of beauty, freshness, and geniality had to be excluded.”
Cast:
Max McLean
Karen Eleanor Wight
Creative Team: Adapted and directed by Jeff Fiske & Max McLean
Scenic Design: Cameron Anderson
Costume Design: Michael Bevins
Lighting Design: Jesse Klug
Sound design: John Gromada